Dreaming the Possible Dream

I’m sweet on L L Cool J. Surprisingly, it wasn’t his music but his Twitter bio that Catherine-wheeled a place into my heart. It says simply: EVERYONE DESERVES A SHOT AT GREATNESS. You can see it’s printed in caps and italics; you can feel it’s written in soul-deep passion. This is a man who sent every one of his million plus followers this tweet today: Love. This is a man who is not only living the dream but sharing the joy.

We all know about the dream. Whether you are living your dream or nurturing a secret dream, the dream is as intimate a part of us as our sweetest memory. We’ve heard every saying, quote, cliché and platitude about the dream: dream in colour, dream big, pursue your dream, believe and you will realise your dream. For each life, there is a dream and there is a journey. Singular. Solitary.

But the truth is that the journey, the striving to realise the dream, is never solitary. The six degrees of separation is a complex web of both overt and subtle connections, of cause and domino effect. As intimately individual and personalized as the dream is for each of us, the journey to realise it is peopled by friends, relatives and sometimes multitudes of people we’ve never met and will never meet. Thus, from time to time we are all a part of someone else’s dream, most times unknowingly, sometimes by choice.

When we choose to play a part in bringing another’s dream into being, we also nudge our own dream a step closer. If seeing is believing then taking action is tangible evidence that we have the power to create reality from dreams. It’s an awesome power, with the potency to move mountains, and there’s an exquisite pleasure in being a ripple that rolls on into a tidal wave of success.

Andrew Wishart is on a journey to realise his dream and he’s gathering hearts and tributes along the way in a reality he never expected. In a few short months he’s gone from the local comfort zone of family, friends and work colleagues to centre stage and national recognition. It’s been a heady ride and this is only the beginning.

He’s gathered followers along the way not only because he’s undeniably talented but because he’s one of us. His endearing personality has a charismatic quality borne out of natural honesty, emotional sincerity and dedication to his family and his music. He sings with such power and passion that even those not partial to his genre of music acknowledge that he has a remarkable voice. This is a man who deserves his shot at greatness.

He was the runner-up in The X Factor Australia 2011 in the closest ever finish between the top two. He doesn’t begrudge Reece Mastin his win; they’re mates and you always wish the best for your mates. But neither will he stop at being second.

As did each of the final four contestants, Andrew recorded a song for Sony, a song that was written for him. Sony, however, has only released the winner’s song but that doesn’t mean Andrew’s recording will gather dust forever more. A petition was set up; a petition of which Sony Music Australia is aware and watchful. If it accrues enough names, then they will be justified in releasing Andrew’s single.

It takes but a moment of time and a smidgen of effort to be a part of the force that is realising Andrew’s dream. Sign the petition and share it on your favourite social network or pass it on by word of mouth. Wherever you are, whoever you are, be a part of it so you can point out Andrew and say “I played a part in his success”. It’s an awesome power and a very special joy.

Click on: Andrew's Petition to sign it.

Follow Andrew on Twitter: @andrew_wishart

Folow L L Cool J on Twitter @llcoolj

But most of all, follow your dreams.

The X Factor Australia Eliminations: Week Nine

This is the ninth in a series reviewing The X Factor results shows. Weeks 1-8 can be accessed from the archives listed on the right. Please note that no contestant or judge/mentor was harmed in the writing of this blog. The RRSPXFCJ (Right Royal Society for the Protection of X Factor Contestants and Judges) was in attendance in the combined personages of ZZ Top though it was quickly evident that they had arrived courtesy of a wrong turning on their comeback trail. Since they were happily oblivious to The X Factor in any country, I got away completely unscathed this week – oh happy day!

The penultimate week of X Factor Australia 2011 was thematically labelled with the anything-goes “Pleasure and Pain”, a theme loaded with opportunities for superabundant puns ("it will be pain for one contestant this week and pleasure for three") and superlatives galore. It was therefore with a sense of heightened anticipation that the viewers awaited Luke Ozade’s opening gambit and were crushed by the first overwhelming pain of the night when he referred to this week’s episode simply as the semi-final. Oh sure, he repeated the term and stressed every syllable but repetition and emphasis are not the same as profuse exaggeration. It was a terrible let-down.

The contestants gamely carried on regardless of the implied down-grading of the show, with the exception of Rocky Robin who appears unaffected by anything including heavy hints and outright criticism. The judges, understandably in his case, don’t bother trying to offer anything constructive anymore. After his second song, which involved capering about like a jester-in-training from one sub-set to another and his almost overbalancing near the ‘spa’, he provided the judges with a ready-made distraction when he discarded his shirt. Thankful that they would not be required to judge the actual performance at all, the judges obligingly confined their comments to his physique and related issues, one of which was Rocky’s ambition to win a part on Home and Away, his reason for entering X Factor in the first place. Mel B drew Luke Ozade, who himself had failed to be re-signed by the soapy, into this part of the conversation, thereby subtly reminding him, and the viewers, of his abortive acting career, possibly in revenge for his reminding her that she was the first to lose all her contestants. So, at this crucial stage of the competition, Mel B and Luke Ozade are now one-all.

The other three contestants are the serious contenders. Ozzie Dadd had two goes at the pain part of the theme when he suffered from an incomprehensible song choice in his first performance but came back strongly with his rendition of Burn For You. Rocken Roller got up close and impersonal with the audience and avowed that he took criticism well despite all video evidence to the contrary. UN-3 provided audiences with the two most outstanding performances of the night both visually and vocally which, given Australian audience reaction to excellence (excellence happens to other nationalities) will probably go against them. Judges’ and mentors’ comments reflected various degrees of praise and pride with Dadd being the only one to receive any significant criticism – would this bring to an abrupt end his seamless record of no bottom two appearances?

The penultimate results show began uncharacteristically with the four remaining acts allowed to present a group performance without it being a mere support for one of the guest acts. Happily for Rocky and Rocken, group performances do not count against them in any way and the show quickly moved to a guest spot followed by the shepherding of all four acts onto the stage with their mentors in tow. No order particular in, Luke Ozade took painful pauses to the pinnacle of impatience in reading out the first two safe names: Ozzie Dadd and... Rocky Robin? Oh well, Australians are known for enjoying a joke, be it good, bad or mundane.

Rocken Roller and UN-3 were kept on tenterhooks for half the show which consisted of some twenty-four commercials interspersed with another couple of guest spots. Finally Luke Ozade showed them some mercy and announced UN-3 as the unlucky ones - yep, reaching the heights of excellence did them in and, with them, the last girl in the competition exited the show without even so much as an opportunity to give a farewell performance. One has to wonder at that decision but at least UN-3 didn't leave us wondering - they're the real deal alright and an international career beckons. In their interviews the following day, all three members gave equal praise to the three grand finalists, were grateful for the opportunities the show had given them and optimistic about the future. In short, they were relaxed, personable and light-hearted, the perfect guests.

Next week is Ultimate Week; the All-Male final Final; the Grand Final Parts One and Two. All twelve finalists will reunite and try to hide the fact that it is an all-male final Final, and there will be two eliminations to dread/look forward to, depending on your current fan position. One can only hope that in this, the show’s last gasp, Luke Ozade’s script writer has been directed to opportunistically load as many hyperbolic superlatives as possible onto his auto-cue or suffer brutal consequences (I'm happy to offer suggestions). Your faithful correspondent, as always, lives in hope.

The X Factor Australia Eliminations: Week Seven

This is the seventh in a series reviewing The X Factor results shows. Weeks 1-6 can be accessed from Archives (October) listed on the right. Please note that no contestant or judge/mentor was harmed in the writing of this blog. The RRSPXFCJ (Right Royal Society for the Protection of X Factor Contestants and Judges) was in attendance in the decidedly grumpy personage of a jockey with a penchant for psychedelic silk shirts and short whips (my neighbour’s aunt’s sister’s boy, a student doctor, assures me that the welts will not be permanent and the throbbing will ease in a few days).

Week seven was Dance Week and the collective fan bases greeted the news with mixed feelings. Those of a nervous disposition feared for the non dancers among the performers, apparently under the startling misapprehension that dance week would require singing and dancing by each performer. That in the whole recorded history of music, this has never been true had little impact on them; the reality of ‘reality’ shows being that ‘fan’ relates as closely to ‘fantasy’ as it does to ‘fanatic’.

Unconvinced by Luke Ozade’s insistence that we were down to the ‘sensational six’ (bets are on for week eight to be labelled the ‘fabulous five’; week nine the ‘fantastic four’ and week ten the ‘terrific three’ though ‘tenacious trio’ is likely to be more appropriate by then), the audience hunkered down for the duration of the live show. They were not disappointed. While each could find something hopeful about their favourites, there was plenty of scope for criticism which was, as tradition dictates, led by the judges and mentors. High on The Judges’ Critique List (published in The Quintessential Guide to Judging, “Chapter 7: Talent Shows” pp 123-126, Phantom Press 1958 revised and reprinted several times) are the off-key criticisms, i.e. pitchy, flat etc (which all mean the same thing basically so it’s thoughtful of the judges/mentors to vary the words for the sake of diversity) while lower on the list are injudicious song choice, substitution of lyrics and make-up. All were given a good airing on the night thereby providing a feast to satisfy every armchair critic and general entertainment for all.

All too quickly on the heels of the live performances, the inevitable results show cast its shadow over the by-now shaking six and the race was on to see who would fall at the seventh hurdle. Would it be Rocky Robin who was nobbled yet again by his trainer... er, I mean, Mentor*... pre-race or would one of the betting favourites find themselves in the photo finish? It was a tense wait as they lined up in the stalls and waited for the off. First to bolt over the seventh hurdle was one-time Delta* performer, Rocky Robin, (whose fans had counter-administered the necessary stimulants... er, I mean, votes... to get him over the line) followed a length back by the unpredictable Media Puzzle*, Diggles, with another length to Tawrrific* Trio. It was then a much longer wait to find out exactly which two had been jostled to the back. In a Shocking* result that stopped a nation and sent bookmakers into a frenzied scrambling to cover losses, it was two of the favourites, the Might and Power* of the X Factor Cup: La belle Jeune*, Chicky Babe, and the Don Juan* of the teen set, Rocken Roller. No-one expected this!

Could it be their extensive and extravagant fan bases had failed to Think Big* when it came to this week's voting because they'd Viewed* both to be the safest bets in the race? Had they run out of Revenue*? Had they switched allegiance to Rocky Robin in the belief that he was in the more precarious position? Speculation was rife as the incandescent optimism of fans plummeted to Subzero* dread.

It was Even Stevens* as they lined up for the seventh hurdle. In heart-wrenching performances, both gave it their all before presenting themselves to the judges, none of whom had expected this and were clearly blind-sided by the result. In a display of disbelief and dismay coupled with honest sincerity, their respective mentors, Mel B and Guy, had no hesitation in declaring affection, admiration and loyalty for their protégés while the final two judges, Ronan and Natalie, agonised over their decisions. Would tactics come into play or would they be true to their integrity in their choices? Both front runners had claims to the ultimate crown though the smart bet was on Rocken by a nostril. In the end it was a Clean Sweep* to send Chicky Babe home.

The decision sent social media sites into meltdown and there was much lamenting and gnashing of teeth by Chicky Babe’s Arsenal* of fans. Luke Lum of idolthreat fame, best summed it up in a simple tweet: "It's like killing Bambi".

In the subsequent round of interviews, the bubbly Chicky Babe enthused about her X Factor experience and gained even more fans in the process. Your faithful correspondent fervently hopes that this talented and captivating young lass will find herself among the successful elite of the music world in years to come, preferably, a very few years, or months if it comes to that, weeks even...

* If readers do not, as I did, have before them a full list of Melbourne Cup winners, then it may be helpful to know that Mentor (1888), Delta (1951), Media Puzzle (2002), Tawrrific (1989), Shocking (2009), Might and Power (1997), Jeune (1994), Don Juan (1873), Think Big (1974 & 75), Viewed (2008), Revenue (1901), Subzero (1992), Even Stevens (1962), Clean Sweep (1900) and Arsenal (1886) were all on the list.

X Factor Rugby – First Quarter

Catch up on X Factor Rugby - The Preliminaries here.

The crowd exploded in a roar of enthusiastic anticipation as the four teams took to the field in sub-perfect conditions last month Australian time. Between light snacks and heavy betting, Team Ronan supporters were particularly vocal, confident of reigning champion Ronan Keating winning the Championship for the second year in a row. However, while it is true that Keating is fielding the largest team – 10 members as opposed to 4 each on the other three teams (team size and composition having been determined by the traditional pre-match Two-Up challenge) – this has never been a numbers game (unless you count the betting scandal that rocked South Africa a few years ago). Certainly Team Mel B, Team Guy and Team Natalie supporters seemed oblivious to any implied disadvantage as they greeted the appearance of their teams with thunderous foot-stomping that registered a creditable 4.3 on the Richter scale.

From his position centre field, Referee Simon Howler harried players into position before blowing the whistle and setting up for the kick-off. His kick went a little astray however, bouncing off the northern goalpost onto the roof of the ACDC Grandstand and ricocheting into an overhead light. Plunged unexpectedly into sudden gloom, Team Mel B’s left-winger, Cleo, missed the start but gamely carried on once her night vision kicked in.

Team Guy’s Reece scored the first heavy tackle of the day followed in quick succession by Team Natalie’s Andrew and Team Ronan’s right-wingers, AV. Team Mel B suffered a shuddering display of nerves from the start and were barely in it until centre-forward Christina scored a bruising tackle with all the ‘in-your-face’ aggression that fans have come to know and love in X Factor Rugby.

Just before drinks, a tactical collusion between Teams Ronan, Guy and Mel B boxed in a struggling Cleo who was then taken down and out by opposing left-winger Jacqui. As the orange slices were handed round, Team Natalie ruefully contemplated the neon-bright, Sony-sponsored scoreboard: 2.1.0, one critical goal behind the rest who shared the lead with 3.1.1 each.

Back on the field again, Captain Mel B launched a premeditated attack on Team Ronan with tactics designed to isolate members of his centre-forward group, 3W, and heavy sledging of right-wingers AV with regard to their colourful team strip.

But the sensation of the quarter came when Captain Guy called foul on Team Natalie’s right-winger Mitchell for unsporting behaviour and Mitchell was shown the first yellow card of the Championship. The crowd burst into a chorus of sustained booing punctuated by several impromptu skirmishes and, as Security attempted to wrest the combatants apart, time-out was called while brickbats were cleared from the playing area and an uneasy peace declared in the stands.

Meanwhile, Team Mel B suffered the after-effects of their brutal targeting of Team Ronan, tiring all too quickly and visibly losing the plot. Their disorientation subsequently culminated in a catastrophic collision between wingers Jacqui and Tyla with the latter finally being taken down and out by her own captain. The stretcher had barely ferried off the stricken Tyla when Team Ronan left-wingers YMS risked all in an out and out attack on the flagging Jacqui. In a well-rehearsed and finely-tuned gambit, YMS swept the jaded left-winger from the field just as the whistle blew for quarter time with the scores at:

Team Guy: 9.3.3

Team Ronan: 9.3.3

Team Natalie: 6.3.2

Team Mel B: 3.3.0

Next report: X Factor Rugby – Second Quarter

X Factor Rugby – The Preliminaries

X Factor Rugby or Rugbyette as it’s known affectionately by its aficionados (literally meaning ‘little rugby’, the French suffix ‘ette’ being selected in sympathy with France’s appearance in this year’s Rugby World Cup final) is a sport which, although it has a lengthy history, has had little or no attention in its own right in mainstream media. This is a travesty and one which I am endeavouring to rectify.

While there are very broad and vague similarities in organisation and temperament to its parent sport, the rules of Rugbyette are more subtle and the scoring system quite complex. In order for this report to avoid becoming a poor man’s replica of The X Factor Rugby Book of Rules (Seventh Edition, Revised 2009), it will dispense with any complicated explanations of same and go straight to commentary. 

Australian Rugbyette received a much needed shot in the arm with the news that this year’s National Australian X Factor Rugby Championship would be played between Team Ronan, Team Mel B, Team Guy and Team Natalie. The four groups, each named after their respective captains, initially underwent a series of trials (coincidentally not dissimilar to a certain national talent show) to determine team selection. The four teams then met at a packed X Factor Arena. 

A dapper Luke Ozade, the pretty boy (there has to be one) of the on-ground commentary team, ran onto the ground and with one tap of his microphone, broke the ice on the centre square. After a few moments he was able to get the microphone working again and welcomed a huge, estimated crowd which returned the greeting with enthusiastic clapping, wolf-whistling and sign-waving. He appealed to them to refrain from violence as that “belongs on the playing field, not in the stands” and asked them to join him in welcoming the combined bands of the X-Public Servicemen’s League, X-AGT Musos Group, Retired Musicians of Daytime Talk Shows Association and Rooty Hill Mental Health Facility.

A sustained roar from the crowd greeted Ozade’s introduction of the four team captains, impressively decked out in team colours: Mel B (leopard print), Guy Sebastian (black, white and red leather), Natalie Bassingthwaighte (hot pink and ice blue) and Ronan Keating (what-were-his-stylists-thinking?).

A hush descended on the auditorium as the bands played the anthem which this year was a mash-up of Australian, UK and Irish anthems. As the last notes shivered and died in the freezing air, the team captains stepped up to their microphones to deliver the traditional acknowledgements and comments. Here’s what they had to say:

Ronan: “I don’t know who did that arrangement for you... oh you did it yourselves, right... it was interesting to say the least. When you listen back to that you’ll hear that it was very pitchy, guys, very pitchy.”

Natalie: “I wouldn’t say pitchy but you were flat in places, quite a lot of places now I come to think of it, but you look really good in your uniforms.”

Guy: “I don’t know what you guys were hearing – ‘pitchy’? ‘Flat’? It was clearly off-key, all the way through.”

Mel B: “Oh come on, you three, they were just a bit out of tune and is it any wonder in these frigid conditions? It’s enough to freeze the whatsits off any brass section. Just sayin’.”

With the traditional preliminaries concluded, the crowd wait in anticipation for the games to begin.


Next report: X Factor Rugby – First quarter

The X Factor Australia Eliminations: Week Six

This is the sixth in a series reviewing The X Factor results shows. Weeks 1-5 can be accessed from the archives listed on the right. Please note that no contestant or judge/mentor was harmed in the writing of this blog. The RRSPXFCJ (Right Royal Society for the Protection of X Factor Contestants and Judges) was in attendance in the imposing personage of Chopper Reed who does an impressive mash-up in the latest blue language mixed with some old favourites (have medication for the ringing in my ears and should start to recover hearing in a couple of days).

With emotions at a mid-season high for viewers, mentors and contestants alike, the juggernaut that is X Factor Australia 2011 steered a fan-battered but unwavering course into week six where it instantly hit a whirlpool of sensational comments from the judging panel in the live show. First in the firing line was popular duo, Sound and Lighting, who drew this reaction from Mel B: “Look, you’re well-named because you do have these two distinct aspects to your performance and I’m gonna comment on those. Lighting, I think you were just perfect tonight, an absolute stand-out for me but Sound, what are ya doing? You’re all over the place! Just sayin’”. Ronan followed up with, “I agree with Mel; you need to find the right balance between the backing music and vocals. At this stage of the competition every act needs to be incredible and you’re just not there yet. Get it together, guys, this show needs you and we need you to go all the way, right to the very end.” Nat and Guy reiterated these sentiments in their own comments and it was a much chastised Sound and Lighting who left the stage after muttering promises to do better.

The next revelations from the judging panel had your faithful correspondent reaching for the rewind button on the remote to check the evidence of her own ears. Now it’s expected that in every live show, each act faces just three judges plus their mentor. It’s accepted practice for mentors to heap praise upon their acts and do whatever it takes to nullify any negative criticism. Thus, when Natalie told her contestant, Bad Boy Bubba, "Yeah there's a long way to go, of course, absolutely. It was very shaky” viewers were completely unprepared. Here was a mentor breaking the unwritten, unspoken code of mentorship and actually criticising her own act! I thought it impossible but, in response, Bubba took his trademark sulky expression to new heights and even now performance art experts are discussing justification for declaring it an art form in itself.

Viewers barely had time to recover before Guy Sebastian landed yet another stunning blow on the face of mentoring tradition. In a rare moment of weakness, Guy let honesty get the better of him when confronted with his lad, Rocky Robin, after what can only be described kindly as a below par vocal performance. As the likeable lad stood before him, Guy unexpectedly declared, “Rocky, did I think you were going to nail that song when I gave it to you? No. I knew you'd drop flat and get a little bit out of control but...” and I missed what came after that – I was in shock! The show should warn viewers before telecasting such outrageous honesty! The rest of the show went by in a blur.

Then, in a plot twist any writer would be proud to claim, Nat and Guy faced off in a fight to see which of them could lose their act first. They led the voting and, in a touching display of private hope, each prematurely farewelled their respective contestants with stirring comments that were encouragingly damning. Mel B followed. She weighed up both acts and, finding each equally wanting, narrowed it down to one essential: muscles. Bubba had shown off his ‘guns’ already but Rocky had cleverly concealed his in fire-engine red leather. It was a no-brainer for Mel who, with the tantalising prospect of seeing Rocky’s ‘guns’ sometime in the not too distant future, voted to keep him and send Bubba home. Ronan, unswayed by musculature of any kind, voted for Rocky to go thus forcing the deadlock for the third week in a row.

It was a predictable result from the public. Rocky has been steadily building a loyal fan base while Bubba has been subsisting on the sympathy vote which had run its course and run out of money. Thus Natalie claimed victory over Guy who remains the only mentor left with a full team and a full workload into which he’s squeezing celebrations of his 30th today. Happy birthday, Guy.

The X Factor Australia Eliminations: Week Five

This is the fifth in a series reviewing The X Factor results shows. Weeks 1-4 can be accessed from the archives listed on the right. Please note that no contestant or judge/mentor was harmed in the writing of this blog. The RRSPXFCJ (Right Royal Society for the Protection of X Factor Contestants and Judges) was in attendance in the form of Ian Dury (in an unheralded and unlikely comeback) with a short, sharp rhythm stick (the stitches come out next week).

There were dramatic scenes at The X Factor auditorium last night as Luke Ozade read painstakingly down the list of contestants to arrive at the inevitable: the bottom two. It was a man-sized tissue occasion of highs and lows with squeals of joy from Nat B as each of her contestants was declared ‘safe’ and tears of dread anticipation from Mel B’s sole survivor as she contemplated a fate that wasn’t to be – yes, Chicky Babe was also safe and in a state of near collapse with relief.

But then, with barely enough time to recover from this roller coaster of emotions, realisation seeped from the subconscious to the conscious as judges and viewers alike stared in disbelief at the remaining two acts. How could this be, Australia? Both performances had earned standing ovations from all four judges the night before yet here they stood; the two acts with the least amount of votes! That such talent could be consigned to the bottom of the barrel organ was stark evidence indeed of the capricious irrationality of voters, and enough to have your average politician weep tears of joy.

Yo’ Mo’ Shufflin and Diggles, while light years apart in genre, do share two similarities: neither was the worst performer the night before and both attracted a substantial audience among the very very young. Brought up on a steady diet of Wake Up Jeff and Hot Potatoes, the modern, sophisticated Australian tiny has become hooked on the block colours of The Wiggles’ shirts and their signature gestures and it was a small step from there for them to be able to identify with the colourful costumes and energetic dance moves of YoMo. They also identify with the avant garde youth of Diggles because of his “zaniness”, all toddlers being naturally zany themselves.

Both appealed to the judges as well, each of whom expressed their incredulity at finding these two acts before them. Their respective mentors voted to keep their respective acts as expected while Mel B almost reluctantly voted to send Diggles home. Nat B dithered in an agony of indecision before finally choosing to send YoMo home, thereby forcing the deadlock that allowed the public to decide instead, an extraordinary decision in light of the fact that all four judges had just agreed that the voters just hadn't got it right this week.

Now it was a toss-up between the two fan bases to see which of the tiny groups still had the resources to record multiple votes on their home phones. For some, of course, mummy and daddy had received the phone bill, bloated to the GNP level of several small countries by the extravagance of devotion displayed by their offspring in previous weeks, and those tinys were now unable to bypass the new phone lock. Which of the two camps had the greater number of those tinys whose parents were as yet blissfully unaware, was anyone’s guess.

In the end, it was YoMo who were the luckless ones. They took the shuddering disappointment of their departure with a maturity of someone the sum of their ages (er, that would be someone in their mid 60s or thereabouts – arithmetic fails me at this emotional time).

In interviews the following day, the guys put on three brave faces and let their natural humour shine through. Fans posted and tweeted their dismay at their loss from the competition and everyone wished them well for the future.

Your faithful correspondent now has a scant six days to recover from this emotionally draining drama before facing up to the next electrically-charged elimination show.

The X Factor Australia Eliminations: Week Four

This is the fourth in a series reviewing The X Factor results shows. Weeks 1-3 can be accessed from the archives listed on the right. Please note that no contestant or judge/mentor was harmed in the writing of this blog. The RRSPXFCJ (Right Royal Society for the Protection of X Factor Contestants and Judges) was in attendance in the shape of “The Drummer” (who practises ‘body percussion’ since giving up the drum kit and taking a more lucrative position with Muscles For Hire) with his signature accessory, steel-capped drumsticks (the concussion headaches should ease in a few days’ time).

Last night shockwaves once again crashed over social networks, threatening to shred the threads on The X Factor Forum, when judges went to deadlock and the first of Ronan’s stylists was sent packing amid a storm of controversy over Mel B’s contradictory remarks. The thunder created by this storm sent judges into lockdown as they reviewed events and discussed strategies for damage control, emerging two hours later with PR-generated scripts to soothe the seething masses. There was one slight hitch, however, when Mel B was accidentally handed the wrong script and declared “Let them eat cake!”

The controversy came about when Mel B began by asserting that she would not go to deadlock but then voted to save Luce Jacket and send Flower Power home thereby apparently contradicting herself and bringing the deadlock into effect.

In her remarks, Mel B noted that while Jacket’s stitching was “not the best in the competition”, the styling had “a certain something”. She went on to praise Power’s perfect seams week after week but did not feel that the designs had the international appeal that Simon Howler was looking for. This came as a shock to fans because the night before Flower had been told that her outstanding triple stitch work would “not be out of place on the catwalks of New York’s Fashion Week”.

One of Power’s most loyal supporters bemoaned that young fans today “are so superficial – they only see the surface of the cloth, how shiny and smooth it is; they have no appreciation for really strong, outstanding stitching”. Another declared that Power was “in synch with the cyclic nature of fashion trends” in that “everything old is new again”. However, the voting public clearly had little sentiment for the good ole days (most of them not having been born then) and were more forgiving of Luce Jacket’s outlandish and impractical shoulder wings design than Power's chilled-out look. It seemed that Power failed to take into consideration the temperature change in fashions brought about by global warming over the last 50 years. Back in the 60s 'cool' was 'hip' while today 'hot' is 'now'!

In radio and morning show interviews, Flower Power said she'd chosen designs that were comfortable to wear, an important consideration, she said, when on stage. Flower vowed to continue sewing and urged fans to look out for new releases on iStyles soon.

In the aftermath of the deadlock controversy, Mel B tweeted “Confused? Possibly... not sure... maybe... whatever!” followed by Ronan who declared that he was “gutted by FP departure” and that his remaining two stylists were “totally stepping up and sewing like mad” in preparation for next week’s show.